and the
aka "Patrician"

1927-1931 and 1927-1932

    ucky Curve ladies pens similiar to the Duofolds but small. The Petite being even smaller.
    In early 1927 Parker introduced the attractive slender and small ladies line pen nicknamed the Pastel. They were ment as a ladies alternative to the rather dull black Parker DQ (Duofold quality) and the Raven Black, in the low price range. The Pastel sold for $3.50 for the pens and $3.00 for the pencils. The Pastel very quick became rather popular, much because of the bright and happy colours they were produced in. The colours were of course a result of Parker abandoning the the old hard rubber for the new plastic, known as "permanite".
    The Pastel followed the Duofold in design, filling, mechanism, clip, attachment and general style. In short in every aspect, save size and colour. The first colours were:
    • Magenta
    • Mauve
    • Naples blue
    • Beige grey
    • Coral

    They all had a black band between the two gold-filled cap bands. Within a few months a sixth colour was added, the green.

    ontrary to other economy pens, Parker advertized the Pastel. Since the imprint didn't reveal the model name, Parker tried to find a catchy name in the commercials for the little pens. For some strange reason someone came up with "Parker Patrician". It was soon pointed out that it was a poor choice in two aspects. First of all word reached Parker that Waterman was already planning to launch their piece de resistance, the Patrician. Secondly Patrician means father, or (wealthy) male leader. So, since the pen was actually the smallest made by Parker at the time, and also was marketed as a ladies pen, Patrician really was a bad choice. Some very rare items exist with the imprint Patrician but it was soon abandoned in favour of the old Lucky Curve imprint. so, in late 1927, they chose to market the pens as Pastel instead, inspired by the colours: "6 alluring color combinations — with a new moiré pattern that women adore". Parker had enhanced the Pastel look by adding small stripes to the body and cap (on all colours save the blue) in a moiré pattern, only to be re-designed again a few months later, the body lines were now broken.

    Streamlined Pastel in Coral Moiré with a clip (standing) and a "square" ring-top Petite Pastel in Naples blue.

    he green shade was advertized as Apple green and the pencils now sported a black band on either side of the barrel, a feature later adopted by the Duofold pencils. A trifle larger pen was also offered with a single cap band or two rings without the middle black band. The black-lined (two-ringed) are often referred to as the Petit Pastels.
    In 1929 the complete line was re-designed and the pens became tapered in both ends, "streamlined", following the re-design of the Duofold line.

    • Magenta
    • Mauve
    • Naples blue
    • Beige grey
    • Coral
    • Apple green

    The Pastel were however phased out before the Duofolds, around 1931-1932. They are today quite popular among collectors on account of the bright colours, but since the bright plastic was easily discoloured and that they had to live in handbags with keys and steel brushes, have made them hard to come by in perfect condition.

     

     

     


    Rare body imprint of the short lived Patrician Pastel in Apple green (right) and a close-up of the black middle ring of the Petite Pastel in Mauve (left).



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